1. 2002. Here I have been particularly influenced by the plea made by Robert Toplin, in his keynote address to the First International African Film and History Conference, Cape Town, July, that historical feature films should be seen as ‘histories’ as well as ‘entertainments’
2. Ambler, C. 2001.American Historical Review81–105. On African audiences, see, ‘Popular Films and Colonial Audiences: The Movies in Northern Rhodesia’, 106, 1 (and R. Nixon,Homelands, Harlem and Hollywood: South African Culture and the World Beyond(New York, 1994), 31–35