The dark line of Japanese noir: generic appropriation, Matsumoto Seichō, and Nomura Yoshitarō’s <i>Stakeout</i> (1958)-Reference-Cited by-同舟云学术

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The dark line of Japanese noir: generic appropriation, Matsumoto Seichō, and Nomura Yoshitarō’s Stakeout (1958)

Published:2024-09-04 Issue: Volume: Page:1-17
ISSN:1756-4905
Container-title:Journal of Japanese and Korean Cinema
language:en
Short-container-title:Journal of Japanese and Korean Cinema

Author:

Amit Rea¹

Affiliation:

1. The University of Oklahoma, Norman, OK, USA

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/17564905.2024.2397749

Reference27 articles.

1. Film/Genre

2. Dying for a laugh: post-1945 Japanese service comedies

3. Biderman, Shai, and William J. Devlin. 2008. “The Prisoner and Self-Imprisonment.” In The Philosophy of TV Noir, edited by Steven Sanders, and Aeon J. Skoble, 229–246. Lexington: University Press of Kentucky.

4. The Lethal Femme Fatale in the Noir Tradition;Boozer Jack.;Journal of Film and Video,1999

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