Gaslighting: Domestic Noir, the Narratives of Coercive Control
Author:
Publisher
Informa UK Limited
Subject
Literature and Literary Theory,Cultural Studies,Gender Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/09574042.2021.1932258
Reference24 articles.
1. Arter, Danny (2016), ‘Playing It Straight: Cover Conventions in “Grip Lit”’, The Bookseller, 12 September, at www.thebookseller.com.
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1. Feminist Depictions of Coercive Control in ‘Domestic Noir’: Ilsa Evans’s Broken (2007) and Kathryn Heyman’s Storm and Grace (2017);Women: a cultural review;2024-01-02
2. The Neo-Victorian Feminist Afterlife of Anne Brontë’s The Tenant of Wildfell Hall (1848) in Sam Baker’s The Woman Who Ran (2016);Brontë Studies;2023-08-22
3. Death Becomes Her. Implicit Religion, Relics, Myth-Making and the Witch Complex in Visual Representations of Women in Film Noir. A Case Study;Caietele Echinox;2022-12-01
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