THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China-Reference-Cited by-同舟云学术

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THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China

Published:2021-04-03 Issue:2 Volume:41 Page:232-250
ISSN:0143-9685
Container-title:Historical Journal of Film, Radio and Television
language:en
Short-container-title:Historical Journal of Film, Radio and Television

Author:

Han Qijun

Funder

Chinese National Ministry of Education, Humanities and Social Science

Fundamental Research Funds for the Central Universities

Jiangsu Overseas Visiting Scholar Program for University Prominent Young and Middle-aged Teachers and Presidents, China

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,History,Communication

Link

https://www.tandfonline.com/doi/pdf/10.1080/01439685.2021.1907677

Cited by 2 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. How slow is ‘slow TV’? Audiences’ experiences of meditation, obsession and authenticity when watching swimming moose on Swedish television;Journal of Popular Television, The;2023-11-01

2. More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong;Screen;2023-03-01

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