Abstract
In this article, it is argued that Garibaldi's global fame owes much to his own experiences as a migrant and exile in the Americas. Overseas, Garibaldi not only acquired several practical and political skills, he also built up an important network of friends and supporters and became a hybrid figure able to adapt his image to diverse political settings. At the same time, Garibaldi relied on the trope of exile, developed by people like Ugo Foscolo, to define his opposition to, first, Italy's Restoration governments and, after Italian unification, the new moderate liberal regime. The article also looks at Garibaldi's life on Caprera and it is further argued that here Garibaldi combined elements of his previous experiences to fashion a role for himself as a ‘foreigner in Italy’. Garibaldi was a symbol of many worlds as well as a hero of two and it is precisely this hybrid nature of his appeal that can explain his global popularity.
Publisher
Cambridge University Press (CUP)
Subject
Sociology and Political Science,History,Anthropology,Cultural Studies
Reference69 articles.
1. Risorgimento in Exile
2. In the Museo del Risorgimento in Genoa, there are two paintings of Garibaldi, which date from 1841 and 1842, and another, painted by Gaetano Gallino in Genoa in 1848, all of which represent him in this way.
3. “Garibaldi et la France, 1848–1882. Naissance d'un mythe”;Gut;Rassegna Storica del Risorgimento,1987
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