Refiguring the perpetrator in Rithy Panh’s documentary films: S-21: The Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell
Author:
Affiliation:
1. Connecticut College, New London, CT, USA
Publisher
Informa UK Limited
Subject
Visual Arts and Performing Arts,Cultural Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/10304312.2020.1737437
Reference28 articles.
1. Images and Words: Remembrance and Reconstruction of the Cambodian Genocide by Rithy Panh
2. The Intrinsic Appeal of Evil: Sadism, Sensational Thrills, and Threatened Egotism
3. Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh's S-21: The Khmer Rouge Killing Machine
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1. Violence and traumatic stress among Cambodian survivors and perpetrators of the Khmer Rouge genocide;SSM - Mental Health;2024-12
2. The ethics of representing perpetrators in documentaries on genocide;European Journal of Cultural Studies;2023-09-29
3. Film and History;French Historical Studies;2023-05-01
4. Perpetrator Testimony;The Palgrave Handbook of Testimony and Culture;2023
5. The Ethics of Representing Perpetrators in Documentaries on Genocide;SSRN Electronic Journal;2023
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