Abstract
Perhaps inspired, more than anything else, by The Blind Owl's famous opening lines, the reception of the novel has so far been dominated by a dark view of the narrative. However, subtle inter-textual links and formal patterns in the narrative could help to read a radically subversive laughter in it which targets the novel's predecessors and readers equally and concurrently. This article engages the aesthetic qualities of the novel and attempts to account for and emphasize the literariness of the text in interpretation. By singling out a few inter-textual links and elaborating upon them in detail, the narrative's parodic laughter, its significance and the way it can change our appreciation of the novel are discussed.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,History,Cultural Studies
Cited by
2 articles.
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