Examining the Tim Hetherington Collection Through Visually-Led Public Engagement Workshops

Author:

Parry Katy1ORCID,Brockett Greg2,Thornton Katy3

Affiliation:

1. School of Media and Communication, University of Leeds, Leeds, United Kingdom

2. Contemporary Conflict team, Imperial War Museum, London, United Kingdom

3. War Studies, King's College University of London, London, United Kingdom

Funder

Arts and Humanities Research Council

Publisher

Informa UK Limited

Subject

Political Science and International Relations,History,Anthropology

Reference40 articles.

1. War, photography, business: New critical histories;Allbeson T.;Journal of War & Culture Studies,2016

2. Arts Council 2022. Restitution and repatriation: A practical guide for museums in England Arts Council 5 August. Available from: https://www.artscouncil.org.uk/supporting-arts-museums-and-libraries/supporting-collections-and-cultural-property/restitution-and [accessed 9 February 2023].

3. ‘Engage the world’: examining conflicts of engagement in public museums;Ashley S.L.T.;International Journal of Cultural Policy,2014

4. The Robert Capa myth: hegemonic masculinity in photojournalism’s professional indoctrination;Assaf C.;Communication, Culture and Critique,2022

5. Bjerre, T. Æ., 2017. From warrior heroes to vulnerable boys: debunking “soldierly masculinity” in Tim hetherington’s infidel photos. In: A. Engberg-Pedersen and K. Maurer, eds, Visualizing war: emotions, technologies, communities. New York: Routledge, 146-163.

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