Killing Time: Homosocial Bonding Behind the Front Line in Tim Hetherington’s Infidel

Author:

Lowe Paul1

Affiliation:

1. London College of Communication, University of the Arts London, London, UK

Publisher

Informa UK Limited

Reference23 articles.

1. Sold(i)ering Masculinity

2. Discordant affects: ambivalence, banality, and the ethics of spectatorship;Adelman Rebecca A.;Theory & Event,2014

3. Bjerre, Thomas Ærvold. (2017) From warrior heroes to vulnerable boys debunking “soldierly masculinity” In: Engberg-Pedersen, Maurer, ed. Tim Hetherington’s Infidel photos, in Visualizing War. London: Routledge, 146–164.

4. Burgoyne Robert and Rositzka Eileen. 2015. Goya on his shoulder: Tim hetherington genre memory and the body at risk Frames Cinema Journal: Conflicting Images Contested Realities Issue 7 June 2015 http://framescinemajournal.com/article/goya-on-his-shoulder-tim-hetherington-genre-memory-and-the-body-at-risk/.

5. Das Santau 2014. The Dying Kiss: Gender and Intimacy in the Trenches of World War I World War I Centenary: Continuations and Beginnings http://ww1centenary.oucs.ox.ac.uk/body-and-mind/the-dying-kiss-gender-and-intimacy-in-the-trenches-of-world-war-i/.

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