‘And yet’ … Critical questions, complicated conversations: curating a TYA curriculum

Author:

Zatzman Belarie1ORCID

Affiliation:

1. Department of Theatre & Performance, School of Arts, Media, Performance & Design, York University, Toronto, Canada

Publisher

Informa UK Limited

Subject

Literature and Literary Theory,Visual Arts and Performing Arts,Education

Reference97 articles.

1. Akin Philip. 2019. “Culturally Specific Theatre Groups Help Give Artists a Voice”. Scarborough Mirror 23 February. https://www.toronto.com/opinion/culturally-specific-theatre-groups-help-give-artists-a-voice/article_43ebec9c-13ce-5973-a75d-f15e4b034b92.html?

2. The Life and Death of the Monument in the Era of Social Networks: New Communities of Memory

3. “Awasis”. Nehiyaw Masinahikan Online Cree Dictionary . http://www.creedictionary.com/search/index.php?q=awasis&scope=1&cwr=12678.

4. Bain Naomi. 2019. “A Chance to See Themselves Reflected.” An interview with Andrew Lamb Artistic Director of Roseneath Theatre Professional Association of Canadian Theatres [PACT] Inventory of Artistic Practice 1 February. https://pact.ca/meet-our-members-roseneath-theatre/.

5. Baldwin Robert. 2022. “Trayvon Martin’s killing 10 years ago changed the tenor of democracy.” Special Series: America Reckons with Racial Injustice. NPR: National Public Radio . 26 February. https://www.npr.org/2022/02/26/1083233572/trayvon-martin-black-lives-matter.

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