A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits-Reference-Cited by-同舟云学术

A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits

Published:2016-10-01 Issue:4 Volume:55 Page:198-216
ISSN:0197-1360
Container-title:Journal of the American Institute for Conservation
language:en
Short-container-title:Journal of the American Institute for Conservation

Author:

Sessa Clarimma¹,Jiménez de Garnica Reyes²,Rosi Francesca³⁴,Fontana Raffaella⁵,Garcia Jose Francisco¹

Affiliation:

1. Analytical Chemistry Department, University of Barcelona, Barcelona, Spain

2. Conservació Preventiva i Restauracio, Fundació Museu Picasso, Barcelona, Spain

3. Istituto di Scienze e Tecnologie Molecolari (CNR-ISTM), Perugia Unit, Italy

4. SMAArt Center, University of Perugia, Perugia, Italy

5. Istituto Nazionale di Ottica (CNR-INO), Florence, Italy

Funder

Ministerio de Educación, Cultura y Deporte

Publisher

Informa UK Limited

Subject

Museology,Conservation

Link

https://www.tandfonline.com/doi/pdf/10.1080/01971360.2016.1235438

Reference60 articles.

1. Non-invasive multi-technique investigation of artworks: A new tool for on-the-spot data documentation and analysis

2. “Picasso in The Metropolitan Museum of Art”: An Investigation of Materials and Techniques

3. Arslanoglu, J., R. Mustalish, and S. A. Centeno. 2011. Picasso's works of art on paper: In situ, non-destructive investigation of the binding media and pigments. From Can to Canvas. Early Uses of House Paints by Picasso and His Contemporaries in the First Half of the 20th Century Conference. Marseille and Antibes, France.

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