Across the Nebraska Border and the virtual-material divide: contextualizing Shu Lea Cheang’s Brandon, 1994

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Across the Nebraska Border and the virtual-material divide: contextualizing Shu Lea Cheang’s Brandon, 1994–1999

Published:2021-05-04 Issue:2 Volume:17 Page:196-214
ISSN:1479-4713
Container-title:International Journal of Performance Arts and Digital Media
language:en
Short-container-title:International Journal of Performance Arts and Digital Media

Author:

Kennedy Jen¹

Affiliation:

1. Department of Art History and Art Conservation, Queen’s University, Kingston, Ontario, Canada

Funder

Social Science and Humanities Research Council of Canada

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Communication

Link

https://www.tandfonline.com/doi/pdf/10.1080/14794713.2021.1934636

Reference40 articles.

1. Barlow, P. 1996. A Declaration of the Independence of Cyberspace. https://www.eff.org/cyberspace-independence.

2. Blas, Zac. 2019. “Society Has Become the Biggest Panopticon: An Interview with Shu Lea Cheang.” Frieze 203 (Ma). https://www.frieze.com/article/society-has-become-biggest-panopticon-interview-shu-lea-cheang.

3. Cheang, Shu Lea. 1996a. “Brandon (Working Title): Brief Project Description.” MSS 381 Box 5.

Cited by 1 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang;Volume 8;2022-01-14

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