Performer perspectives: managing the creative process in virtual environments. In conversation with the performers in Dream

Author:

Francksen Kerry1ORCID

Affiliation:

1. Daphne Jackson Research Fellow, Centre for Dance Research, Coventry University

Publisher

Informa UK Limited

Reference15 articles.

1. Allsop, Nic. 2009. “Foreword.” In Sensualities/Textualities and Technologies. Writings of the Body in 21st-Century Performance, edited by Susan Broadhurst, and Josephine Machon, ix–xiv. Hampshire: Palgrave Macmillan.

2. Audience of the Future. 2021. Royal Shakespeare Company Opens ‘Dream’. Available at https://audienceofthefuture.live/2021/02/royal-shakespeare-compnay-opens-dream/ Accessed 08 January 2024).

3. Liveness

4. Auslander, Philip. 2016. “Afterword. So Close and Yet So Far Away. The Proxemics of Liveness.” In Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives, edited by Matthew Reason, and Anja M(lle Lindelof, 295–304. London: Routledge.

5. Interactivity: ?user testing? for participatory artworks

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