Devil Is Fine, Devil Is Kind: Slave Spirituals, Satanic Black Metal, and Cultural Appropriation in the Music of Zeal & Ardor
Author:
Affiliation:
1. School of English Literature, Language and Linguistics, Newcastle University, Newcastle, UK
Publisher
Informa UK Limited
Subject
General Arts and Humanities,Sociology and Political Science,Cultural Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/14775700.2021.1981077
Reference68 articles.
1. “All Power to the Periphery”: The Public Folklore Thought of Alan Lomax
2. Towards a cultural sociology of popular music
3. Bennett, J. 2017. “Slavery and Satanism: Inside Zeal & Ardor’s Controversial Take on Black Metal.” Revolver, August 31. Accessed 20 September 2021. https://www.revolvermag.com/music/slavery-and-satanism-inside-zeal-ardors-controversial-take-black-metal
4. Billet, A. 2016. “Slaves of Futures Past.” Red Wedge, October 4. Accessed 20 September 2021. http://www.redwedgemagazine.com/online-issue/slaves-of-futures-past-clipping-zeal
5. National Socialist Black Metal: a case study in the longevity of far-right ideologies in heavy metal subcultures
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