Pending recognition of media art: a case study of themes in media art festivals 2006

Pending recognition of media art: a case study of themes in media art festivals 2006–2021

Published:2023-04-17 Issue:3 Volume:34 Page:179-191
ISSN:1462-6268
Container-title:Digital Creativity
language:en
Short-container-title:Digital Creativity

Author:

Zarina Solvita¹

Affiliation:

1. Laboratory for Innovative Information Technologies at the Faculty of Computing, University of Latvia, Riga, Latvia

Publisher

Informa UK Limited

Subject

Computational Theory and Mathematics,Computer Graphics and Computer-Aided Design,Human-Computer Interaction,Arts and Humanities (miscellaneous)

Link

https://www.tandfonline.com/doi/pdf/10.1080/14626268.2023.2195378

Reference30 articles.

1. Broeckmann, Andreas. 2016. Machine Art in the Twentieth Century, 15–30. Cambridge, MA: MIT Press.

2. Denegri, Jerko. 2011. “The Conditions and Circumstances That Preceded the Mounting of the First Two New Tendencies Exhibitions in Zagreb 1961–1963.” In A Little-Known Story about a Movement, a Magazine, and the Computer’s Arrival in Art: New Tendencies and Bit International, 1963–1973, edited by Margit Rosen, 19–26. Karlsruhe, Germany: ZKM/Centre for Art and Media; Cambridge, MA: MIT Press.

3. European Data Protection Supervisor. The History of the General Data Protection Regulation. Available online: https://edps.europa.eu/data-protection/data-protection/legislation/history-general-data-protection-regulation_en (accessed on November 28 2022).

4. Unsettled Artifacts: Technological Speculations from Latin America: Introduction

5. Gere, Charlie. 2008. “New Media Art and the Gallery at the Digital Age.” In New Media in the White Cube and Beyond, edited by Christiane Paul, 13–26. Berkeley, Los Angeles, London: University of California Press.