The dysfunctional copy: “Mali Magic,” loss and the digital remake of the Timbuktu archive
Author:
Affiliation:
1. Historical Studies, University of Cape Town, Cape Town, South Africa
Publisher
Informa UK Limited
Link
https://www.tandfonline.com/doi/pdf/10.1080/02533952.2024.2320551
Reference34 articles.
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2. Biddle, M. 2017. “New Strategies in Using Watermarks to Date Sub-Saharan Islamic Manuscripts.” In The Arts and Crafts of Literacy: Islamic Manuscript Cultures in Sub-Saharan Africa, edited by A. Brigaglia and M. Nobili, 27–68. Berlin: De Gruyter.
3. Bloom, J. M. 2008. “Paper in Sudanic Africa.” In The Meanings of Timbuktu, edited by S. Jeppie and S.B. Diagne, 45–57. Cape Town: HSRC Press.
4. Bondarev, D. 2017. “Islamic Education and Ample Space Layout in West African Islamic Manuscripts.” In The Arts and Crafts of Literacy: Islamic Manuscript Cultures in Sub-Saharan Africa, edited by A. Brigaglia and M. Nobili, 105–142. Berlin: De Gruyter.
5. Dedéou, M. M., and S. Jeppie. 2017. “Elements of a ‘Timbuktu Manual of Style.” In The Arts and Crafts of Literacy: Islamic Manuscript Cultures in Sub-Saharan Africa, edited by A. Brigaglia and M. Nobili, 309–312. Berlin: De Gruyter.
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