Representation of masculinities in the Arabesk films of Orhan Gencebay within the context of 1970s Turkish popular cinema (Yeşilçam)-Reference-Cited by-同舟云学术

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Representation of masculinities in the Arabesk films of Orhan Gencebay within the context of 1970s Turkish popular cinema (Yeşilçam)

Published:2024-04-03 Issue:4 Volume:25 Page:699-719
ISSN:1468-3849
Container-title:Turkish Studies
language:en
Short-container-title:Turkish Studies

Author:

Büyücek Seçkin¹

Affiliation:

1. Department of Political Science and Public Administration, Bilkent University, Ankara, Turkey

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/14683849.2024.2336697

Reference66 articles.

1. Akad, Lütfi Ö. Işıkla Karanlık Arasında. İstanbul: İletişim Yayınları, 2017.

2. Changing LGBT Narratives in Turkish Cinema;Akser Murat.;Reconstruction: Studies in Contemporary Culture,2016

3. Erkekliğin Yol Hali:‘Sarı Mercedes’ ve ‘Otobüs’ Filmlerinde Erkeklik Kurguları;Akyüz Selin;Fe Dergi,2017

4. Arat, Yesim. “The Project of Modernity and Women in Turkey.” In Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdoğan, and Reşat Kasaba, 95–112. Washington: University of Washington Press, 1997.

5. From Emancipation to Liberation: The Changing Role of Women in Turkey’s Public Realm;Arat Yeşim.;Journal of International Affairs,2000

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