Abstract
Although theater forms as we know them in ancient Greece (circa 490 B.C.) and India (from the first to the fifth centuries A.D.) did not exist in Iran, some fascinating rituals and entertainment evolved into various dramas and performances.Archeologists believe that certain figurines, seals, and stamps from western Iran dating to 4000 B.C. (depicting men with ibex-horned heads, hairy bodies, wearing shoes with turned-up toes and carrying wide collars receding down the back into bird tails) could represent ibex gods or “masters and protectors of game” or “mythical sorcerers playing the part of animals or humanized animals.” It is possible, however, that they were masked men, half sacred, half profane, who served as we shall see later on, as entertainers.In October 522 B.C., a magi who had usurped the Iranian throne was killed by Darius of the Achaemenian dynasty, thus beginning a general massacre of the magis.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,History,Cultural Studies
Cited by
15 articles.
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