COME_IN: A qualitative framework for content, meanings and intersubjectivity in free dyadic improvisations-Reference-Cited by-同舟云学术

COME_IN: A qualitative framework for content, meanings and intersubjectivity in free dyadic improvisations

Published:2022-07-26 Issue:2 Volume:32 Page:157-178
ISSN:0809-8131
Container-title:Nordic Journal of Music Therapy
language:en
Short-container-title:Nordic Journal of Music Therapy

Author:

Smetana Monika¹²^ORCID,Stepniczka Irene²^ORCID,Bishop Laura³⁴^ORCID

Affiliation:

1. Faculty of Philosophy and Social Sciences, Augsburg University, Augsburg, Germany

2. Music Therapy Research Centre Vienna, University of Music and Performing Arts Vienna, Vienna, Austria

3. RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway

4. Department of Musicology, University of Oslo, Oslo, Norway

Funder

the Artistic Research

Publisher

Informa UK Limited

Subject

Complementary and alternative medicine,Arts and Humanities (miscellaneous),Anthropology,Pshychiatric Mental Health

Link

https://www.tandfonline.com/doi/pdf/10.1080/08098131.2022.2084638

Reference57 articles.

1. Moments of Insight in the Music Therapy Experience

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3. Representation and internalization in infancy: Three principles of salience.

4. Benjamin, J. (2010). Tue ich oder wird mir angetan? Ein intersubjektives Triangulierungskonzept [Am I doing or being done to? An intersubjective triangulation concept]. In M. Altmeyer & H. Thomä (Eds.), Die vernetzte Seele: Die intersubjektive Wende in der Psychoanalyse [The connected mind: The intersubjective turn in psychoanalysis] (2nd ed., pp. 65–107). Klett-Cotta.

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