Cinematic Representations of the Gwangju Uprising: Visualising the “New” South Korea in A Taxi Driver
Author:
Affiliation:
1. University of Groningen
Publisher
Informa UK Limited
Subject
Sociology and Political Science,History,Cultural Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/10357823.2020.1837071
Reference70 articles.
1. Political Torture in Popular Culture
2. The Socio-Economic Background of the Gwangju Uprising
3. Narrative Strategy in the Film 〈A Taxi Driver〉
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1. Gender Representation in the Gwangju Democracy Movement (Gwangju Uprising): A Discussion of the Films A Taxi Driver (2017) and A Petal (1996);Global Journal of Cultural Studies;2024-05-15
2. Reverberations of Collective Traumatic Memories from a South Korean Movie to June Fourth and Jiabiangou;ASIANetwork Exchange A Journal for Asian Studies in the Liberal Arts;2022-07-02
3. Fighting “The Man”: The Production of Historical Knowledge in Cho Kŭn-hyŏn’s 26 Years;The Two Koreas and their Global Engagements;2022
4. Visualising Korea: Critical Moments in History, Society and Politics;Asian Studies Review;2021-07-03
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