Dialogue and challenge: wildflowers in contemporary Israeli art mirrored in history

Author:

Marnin-Distelfeld Shahar1

Affiliation:

1. Zefat Academic College, Zefat, Israel

Publisher

Informa UK Limited

Reference50 articles.

1. Land of Symbols: Cactus, Poppies, Orange and Olive Trees in Palestine;Abufarha Nasser.;Identities: Global Studies in Culture and Power,2008

2. Agbaria, Rabea. “Ma'avak akuv mi'zaatar: Al tzimchei hama'achal me'hamitbach Ha'Palastini ve'chok haganat ha'tzomeach be'din ha'Yisraeli.” In (The Criminalization of Za'atar and Akkoub (Hyssop and Gundelia): On Edible Plants in Palestinian Cuisine and Israelis Plant Protection Law.) Chok Lechem: Iyunim b'Mishpat ve'Ochel (Bread Law: Studies in Law and Food), edited by Yofi Tirosh and Eyal Gross, 497–533. Tel Aviv: Tel Aviv University Press, 2017.

3. Assaf David. “Parnasot shel Yehudim: Perachim meyubashim mi'har sinai” [Jewish livelihoods: dried flowers from Mount Sinai]. Oneg Shabbat 2013. https://onegshabbat.blogspot.com/search/label/%D7%A4%D7%A8%D7%97%D7%99%D7%9D%20%D7%9E%D7%99%D7%95%D7%91%D7%A9%D7%99%D7%9D

4. Avigad, Bracha. Hasipur al merchakim krovim: Autobiografia’ [The story of close distances: autobiography]. Jerusalem: Self-published, 2001.

5. Barthes, Roland. “Haretorika shel hadimui” [Rhetoric of the image]. In Tikshoret k'tarbut: mikra'a [Communication as culture: readings], edited by Tamar Liebes and Miri Talmon, Translated by Orit Friedland, 259–271. Tel Aviv: Lamda, Open University, 2003.

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