Sustainable Fashion: African Visual Artist’s Contribution to the New Paradox Discussion—Case of El Anatsui as a Sustainable Thinking Agent

Author:

Gaulithy Marc-Arthur,Ngomedje Christine Nantchouang,Pange-Ibinimion Prisca B.,Coste-Manière Ivan

Publisher

Springer Nature Singapore

Reference43 articles.

1. Acquaye R (2018) Exploring Indigenous West African Fabric Design in the Context of Contemporary Global Commercial Production. Thesis for the degree of Doctor of Philosophy, University of Southampton, Faculty of Business, Law and Art, Winchester.

2. Arewa O (2016) Cultural appropriation: when borrowing becomes exploitation. Retrieved 15 Oct 2021, from http://theconversation.com/cultural-appropriation-when-borrowing-becomes-exploitation-57411

3. Asenso K, Issah S, Som EK (2020) The use of visual arts in environmental conservation in Ghana: The case of Adams Saeed. J African Art Educ 1(1):66–83

4. Aziz M, Salloum C, Alexandre-Leclair L (2019) The fashion industry in Africa: A global vision of the sector. In: Moreno-Gavara C, Jiménez-Zarco A (eds) Sustainable fashion empowering African women entrepreneurs in the fashion industry. Palgrave Studies of Entrepreneurship in Africa.

5. Barnard B, Van Dartel M, Beekman N, Linderman KP, Nigten A (2015) Artists and designers as agents of change. Participatory Innovation Conference (PIN-C) 2015: reframing design. The Hague University of Applied Sciences, The Hague, Netherlands.

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