Computer Music Languages and Systems: The Synergy Between Technology and Creativity

Author:

Nishino Hiroki,Nakatsu Ryohei

Publisher

Springer Singapore

Reference197 articles.

1. S. Aaron, A.F. Blackwell, From sonic pi to overtone: creative musical experiences with domain-specific and functional languages, in Proceedings of the First ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (ACM, Boston, 2013), pp. 35–46

2. C. Adamson, M. Lee, K. Avila, Learning Core Audio: A Hands-On Guide to Audio Programming for Mac and iOS (Addison-Wesley Professional, Upper Saddle River, 2012)

3. C. Alexandraki, D. Akoumianakis, Exploring new perspectives in network music performance: the diamouses framework. Comput. Music J. 34(2), 66–83 (2010)

4. H. Alles, P. di Giugno, A one-card 64 channel digital synthesizer. Comput. Music J. 1(4), 7–9 (1977)

5. J. Allison, C. Dell, Aural: a mobile interactive system for geo-locative audio synthesis, in Proceedings of the 12th Conference on New Interfaces for Musical Expression, Michigan (2012)

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