The Choir Conductor: Interpreter or Maestro?

Author:

Corbalán Abellán MaravillasORCID

Publisher

Springer Nature Singapore

Reference18 articles.

1. Cantwell, R. H., & Millard, Y. (1994). The relationship between approach to learning and learning strategies in learning music. British Journal of Educational Psychology, 64(1), 45–63. https://doi.org/10.1111/j.2044-8279.1994.tb01084.x

2. Corbalán, M. (2017). Concepciones y prácticas de los conductores de coro: el ensayo coral como escenario de enseñanza-aprendizaje [Conceptions and practices of choir conductors: choral rehearsal as a setting for teaching-learning]. Unpublished Doctoral Dissertation. Universidad Autónoma de Madrid. http://hdl.handle.net/10486/681811

3. Corbalán, M., Pérez Echeverría, M. P., & Pozo, J. I. (submitted). Promoting learning and interaction during choir rehearsal: A comparison of two conduction profiles through case studies.

4. Corbalán, M., Pérez Echeverría, M. P., Pozo, J. I., & Casas-Mas, A. (2019). Choral conductors to stage: What kind of learning do they claim to promote during choir rehearsal? International Journal of Music Education, 37(1), 91–106. https://doi.org/10.1177/0255761418800515

5. Chi, M. T. H., Siler, S. A., Jeong, H., Yamauchi, T., & Hausmann, R. G. (2001). Learning from human tutoring. Cognitive Science, 25, 471–533. https://doi.org/10.1207/s15516709cog2504_1

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