Everything is Illuminated: Unproductive Memories, Memorization Through Fictional Yizker and Dialogic Exchange, and Postmemory

Author:

Grmusa Lovorka GruicORCID,Oklopcic BiljanaORCID

Publisher

Springer Nature Singapore

Reference81 articles.

1. Aarons, Victoria, and Alan L. Berger. 2017. Third-generation Holocaust representation: Trauma, history, and memory. Evanson: Northwestern University Press.

2. Adams, Jenni. 2009. The dream of the end of the world: Magic realism and Holocaust history in Jonathan Safran Foer’s Everything Is Illuminated. Clio 39 (1): 53–77.

3. Amian, Katrin. 2008. Rethinking postmodernism(s): Charles S. Peirce and the pragmatist negotiations of Thomas Pynchon, Toni Morrison, and Jonathan Safran Foer. Amsterdam: Rodopi.

4. Assmann, Jan. 2013. Communicative and cultural memory. In The theoretical foundations of Hungarian ‘Lieux de memorie’ studies, eds. Pal Varga, Karl Katschthaler, Donald Morse, Miklos Takacs, 36–43. Debracen: Loci Memoriae Hungaricae. https://core.ac.uk/download/pdf/153401495.pdf. Accessed 17 Feb 2021.

5. Bachelard, Gaston. 1994. The poetics of space: The classic look at how we experience intimate places. Trans. Maria Jolas. Boston: Beacon Press.

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