Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context

Author:

Charrieras Damien,Mouillot François

Funder

The Hong Kong Arts Development Council

Publisher

Springer Singapore

Reference44 articles.

1. Alonso-Minutti, A. R., Herrera, E., & Madrid, A. L. (Eds.). (2018). Experimentalisms in Practice: Music Perspectives from Latin America. New York: Oxford University Press.

2. Amar, N. (2020, February 11). “We Sing This Song For You, Wuhan!”: A Short History of Wuhan Punk. RADII | Culture, Innovation, and Life in Today’s China. https://radiichina.com/wuhan-punk-history/

3. Amar, N. (n.d.). “你有freestyle吗?” The Roots of Censorship in Chinese Hip-hop. CEFC. Retrieved April 9, 2020, from https://www.cefc.com.hk/article/ni-you-freestyle-ma-roots-chinese-hip-hop-censorship/

4. Appadurai, A. (1991). Global Ethnoscapes. Notes and Queries for a Transnational Anthropology. In R. G. Fox (Ed.), Recapturing Anthropology (School of American Research Advanced Seminar Series, p. 264). Santa Fe: School of American Research Press.

5. Appadurai, A. (1996). Modernity at Large. Minneapolis: University of Minnesota Press.

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