1. Babich, B. (1993). A musical retrieve of Heidegger, Nietzsche, and technology: Cadence, concinnity, and playing brass. Man and World, 26, 239–260.
2. Babich, B. (2013). Nietzsche’s Zarathustra and Parodic Style: On Lucian’s Hyperanthropos and Nietzsche’s Übermensch. Diogenes, 58(4), 58–74.
3. Babich, B. (2014). Nietzsche’s Antichrist: The birth of modern science out of the spirit of religion. In M. Enders & H. Zaborowski (Eds.), Jahrbuch für Religionsphilosophie (pp. 134–154). Freiburg im Briesgau: Alber.
4. Babich, B. (2015a). Heidegger et ses Juifs. In J. Cohen & R. Zagury-Orly (Eds.), Heidegger et les Juifs, La Règle du Jeu, No 58/59 (pp. 411–454). Paris: Grasset.
5. Babich, B. (2015b). Heidegger’s black notebooks: The Nachlass and its Wirkungsgeschichte. In I. Farin & J. Malpas (Eds.), Heidegger’s black notebooks (pp. 59–86). Cambridge, MA: MIT Press.