From “King of Mandopop” to the New “Kato”: Jay Chou’s Transnational Stardom and His Brand of Coolness

Author:

Lau Dorothy Wai Sim

Publisher

Springer Singapore

Reference40 articles.

1. Ang, Benson. 2018. Concert Review: Good Acoustics and Stunning Visuals at Jay Chou Gig. Straits Times, January 7. https://www.straitstimes.com/lifestyle/entertainment/review-good-acoustics-and-stunning-visuals-at-jay-chou-concert.

2. Apple Daily. 2018. The Claim of Taiwan Independence in the Golden Horse Award Made China Instantly Stop the Livestream. 金馬獎頒獎現「台獨」言論 中國直播嚇到即時暫停, November 18. https://tw.appledaily.com/new/realtime/20181118/1468490/.

3. Asianfanaticfans (blog). 2008. Vincent Fang Talks About “Chinese Flower Pot”, Defends Jay Chou’s Unclear Pronunciation. August 12. http://asianfanaticfans.blogspot.com/2008/08/vincent-fang-talks-about-chinese-flower.html.

4. Bo, Yin. 2017. The Past and Future of Chinese Hip-Hop | The Magnifier. Elephant Room: Make China Relatable website, August 16. http://elephant-room.com/2017/08/16/chinesehiphop/.

5. Chang, Huei-Yuan Belinda. 1997. A Theatre of Taiwaneseness: Politics, Ideologies, and Gezaixi. TDR 41 (2): 111. https://doi.org/10.2307/1146628.

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