Perception of Similarity and Dissimilarity in Hindustani Classical Music-Reference-Cited by-同舟云学术

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Perception of Similarity and Dissimilarity in Hindustani Classical Music

Published:2021 Issue: Volume: Page:199-209
ISSN:2194-5357
Container-title:Advances in Speech and Music Technology
language:
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Author:

Borgohain Junmoni,Karambelkar Gouri,Mullick Raju,Patnaik Priyadarshi

Publisher

Springer Singapore

Link

https://link.springer.com/content/pdf/10.1007/978-981-33-6881-1_17

Reference13 articles.

1. Cambouropoulos E (2009) How similar is similar? Musicae Sci 13(1_suppl):7–24

2. Cambouropoulos E (2001) Melodic cue abstraction, similarity, and category formation: a formal model. Music Percept: An Interdiscip J 18(3):347–370

3. McAdams S (1989) Psychological constraints on form-bearing dimensions in music. Contemp Music Rev 4(1):181–198

4. McAdams S, Vieillard S, Houix O, Reynolds R (2004) Perception of musical similarity among contemporary thematic materials in two instrumentations. Music Percept: An Interdiscip J 22(2):207–237

5. Deliège I (2001) Introduction: similarity perception-categorization-cue abstraction. Music Percept 18(3):233–243

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1. Classification of Indian Classical Music Ragas using Graph Theory;2022 Second International Conference on Next Generation Intelligent Systems (ICNGIS);2022-07-29

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