Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)-Reference-Cited by-同舟云学术

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Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)

Published:2021 Issue: Volume: Page:243-260
ISSN:
Container-title:Electronic Cities
language:
Short-container-title:

Author:

Adu-Gilmore Leila

Publisher

Springer Singapore

Link

https://link.springer.com/content/pdf/10.1007/978-981-33-4741-0_15

Reference22 articles.

1. Accra Dot Alt. (n.d.). http://accradotaltradio.com/chale-wote-street-art-festival/.

2. Adu-Gilmore, L. (2015). Studio Improv as Compositional Process through Case Studies of Ghanaian Hiplife and Afrobeats. Critical Studies in Improvisation/Études critiques en improvisation, 10(21).

3. Agawu, K. (2003). Representing African Music: Postcolonial Notes, Queries, Positions. Routledge.

4. Amoah-Ramey, N. A. (2018). Female Highlife Performers in Ghana: Expression, Resistance, and Advocacy. London, England: Rowman & Littlefield.

5. Appiah-Adjei, S. (2017, November 11). Ghana Standards Authority Develops National Building Code. Graphic Online. Retrieved from https://www.graphic.com.gh/news/general-news/ghana-standards-authority-develops-national-building-code.html.

Cited by 2 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Mic-shouting in China and Hong Kong, 1996–2020;The Oxford Handbook of Electronic Dance Music;2024-06-20

2. Accessing marginalized musics through adaptable, culturally sustaining music technology modules;Journal of Popular Music Education;2023-09-01

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