Zhuangzi and Musical Apophasis

Author:

Chai David

Publisher

Springer Science and Business Media LLC

Subject

Philosophy

Reference22 articles.

1. Chai, David. 2009. “Musical Naturalism in the Thought of Ji Kang.” Dao: A Journal of Comparative Philosophy 8.2: 151–171.

2. ____. 2014. “Nothingness and the Clearing: Heidegger, Daoism and the Quest for Primal Clarity.” Review of Metaphysics 67.3: 583–601.

3. Chen, Guying 陳鼓應. 2009. Contemporary Commentaries and Annotations to the Zhuangzi 莊子今註今譯. Beijing 北京: Zhonghua Shuju 中華書局.

4. Chen, Shouchang 陳壽昌. 1974. Precise Implications of the Zhuangzi 南華真經正義. Vol. 37 of Yan 1974.

5. Cone, Edward. 2009. Hearing and Knowing Music: The Unpublished Essays of Edward T. Cone. Edited by Robert Morgan. New Jersey: Princeton University Press.

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1. Xunzi and Zhuangzi on Music: Two Ways of Modeling the Ethical Significance of Art;Journal of Chinese Philosophy;2023-04-05

2. Cantopop and Speech-Melody Complex;Music Theory Online;2021-03

3. The Aesthetics of Musical Emotion in Ji Kang’s “Music has in It Neither Grief nor Joy”;Dao Companions to Chinese Philosophy;2020

4. Ji Kang’s “On Dispelling Self-Interest”;Dao Companions to Chinese Philosophy;2020

5. Ruan Ji’s “On Comprehending the Zhuangzi”;Dao Companions to Chinese Philosophy;2020

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