Abstract
AbstractThe realm of music composition, augmented by technological advancements such as computers and related equipment, has undergone significant evolution since the 1970s. In the field algorithmic composition, however, the incorporation of artificial intelligence (AI) in sound generation and combination has been limited. Existing approaches predominantly emphasize sound synthesis techniques, with no music composition systems currently employing Nicolas Slonimsky’s theoretical framework. This article introduce NeuralPMG, a computer-assisted polyphonic music generation framework based on a Leap Motion (LM) device, machine learning (ML) algorithms, and brain-computer interface (BCI). ML algorithms are employed to classify user’s mental states into two categories: focused and relaxed. Interaction with the LM device allows users to define a melodic pattern, which is elaborated in conjunction with the user’s mental state as detected by the BCI to generate polyphonic music. NeuralPMG was evaluated through a user study that involved 19 students of Electronic Music Laboratory at a music conservatory, all of whom are active in the music composition field. The study encompassed a comprehensive analysis of participant interaction with NeuralPMG. The compositions they created during the study were also evaluated by two domain experts who addressed their aesthetics, innovativeness, elaboration level, practical applicability, and emotional impact. The findings indicate that NeuralPMG represents a promising tool, offering a simplified and expedited approach to music composition, and thus represents a valuable contribution to the field of algorithmic music composition.
Publisher
Springer Science and Business Media LLC
Reference62 articles.
1. Mozarts. Mozarts musikalisches würfelspiel. 1787. Availabe at: https://www.ensembleresonanz.com/task/mozarts-musikalisches-wurfelspiel Last visit: January 2024.
2. Yearsley, D. Bach and the Meanings of Counterpoint, volume 10, Cambridge University Press. 2002.
3. Kerman J. The art of fugue: Bach fugues for keyboard, 1715-1750, University of California Press. 2005.
4. Colafiglio T. Dalle teorie compositive di Slonimsky ad una nuova impostazione dell’armonia, Euterpe Series, il Grillo Editore. 2011.
5. Giommoni M. Gli algoritmi della musica - Composizione e pensiero musicale nell’era informatica, Musica, Discipline dello spettacolo Series, CLEUP sc - Cooperativa Libraria Editrice Università di Padova, Italy. 2011.