Haptic and audio interaction design

Author:

Pietrzak ThomasORCID,Wanderley Marcelo M.ORCID

Publisher

Springer Science and Business Media LLC

Subject

Human-Computer Interaction,Signal Processing

Reference24 articles.

1. Berdahl E, Kontogeorgakopoulos A (2013) The FireFader: simple, open-source, and reconfigurable haptic force feedback for musicians. Comput Music J 37(1):23–34

2. Bongers B (1994) The use of active tactile and force feedback in timbre controlling electronic instruments. In: Proceedings of the 1994 international computer music conference. International Computer Music Association (ICMA), ICMC

3. Brewster S, Brown LM (2004) Tactons: structured tactile messages for non-visual information display. In: Proceedings of the fifth conference on Australasian user interface—volume 28. Australian Computer Society, Inc., AUIC, pp 15–23

4. Brewster SA, Wright PC, Edwards ADN (1993) An evaluation of Earcons for use in auditory human–computer interfaces. In: Proceedings of the INTERACT 93 and CHI 93 conference on human factors in computing systems. Association for Computing Machinery, New York, NY, USA, pp 222–227

5. Cadoz C, Luciani A, Florens JL (1984) Responsive input devices and sound synthesis by simulation of instrumental mechanisms: the Cordis system. Comput Music J 8(3):60–73

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