Literature, Drama and Politics
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Publisher
Macmillan Education UK
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http://link.springer.com/content/pdf/10.1007/978-1-349-24214-6_9
Reference23 articles.
1. The historical context and conditions of drama and literature is an expanding field with wide scope for further development. New studies have been published focusing on print culture which will have a tremendous impact on the way in which we approach this interdisciplinary field. Essential methodological concerns are discussed in Louis Montrose’s ‘Renaissance Literary Studies and the Subject of History’ and Jean Howard’s ‘The New Historicism in Renaissance Studies’, both found in English Literary Renaissance, 16 (1986) 5–43.
2. Also important are Robert Hume’s ‘Texts within Contexts: Notes Toward a Historical Method’, Philological Quarterly, 71 (1992) 69–100
3. and Linda Woodbridge’s ‘Patchwork: Piecing the Early Modern Mind in England’s First Century of Print Culture’, English Literary Renaissance, 23 (1993) 5–45.
4. At present, scholarly literature on the early Tudor press and stage is generally divided along two lines: sources and analyses. The sources are clearly crucial, and having critically reliable texts is essential when facsimiles or filmed originals are unavailable. Chief among the collections of dramatic sources for this period is the ongoing Records of Early English Drama series from Toronto University Press, which publishes archival records dealing with drama and performance. Also important is Ian Lancashire, Dramatic Texts and Records: A Chronological Topography to 1558 (Toronto: Toronto UP, 1984) which includes a comprehensive bibliography. The best editions of the works of individual authors are found in the ‘Tudor Interludes’ series published by Brewer. Volumes to date include Three Rastell Plays, ed. R. Axton; The Plays of Henry Medwall, ed. A. Nelson; Three Tudor Classical Interludes, ed. M. Axton; The Complete Plays of John Bale, ed. P. Happé; and The Plays of John Heywood, ed. R. Axton and P. Happ é.
5. For dramatic analysis of the period as a whole, see Glynne Wickham, Early English Stages 1300–1660 (London: Routledge & Kegan Paul; New York: Columbia UP; 3 vols, 1959–81: vol. 1, 2nd edn, 1980).
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