1. Annette Messager cited in Stephen Johnstone, ‘Introduction: Recent Art and the Everyday’, in Stephen Johnstone (ed.), The Everyday (London: Whitechapel, 2008), pp. 12–23 (p. 12).
2. Sam Rohdie, Antonioni (London: BFI, 1990), p. 51.
3. Michelangelo Antonioni, ‘A Talk with Michelangelo Antonioni on his Work’ [ 1961 ], in Michelangelo Antonioni: The Architecture of Vision. Writings and Interviews on the Cinema, ed. Carlo Di Carlo and Giorgio Tinazzi, trans. Marga Cottino -Jones (New York: Marsilio, 1996), pp. 21–47 (p. 44).
4. See Giorgio De Vincenti, Il concetto di modernità del cinema (Parma: Pratiche, 1993), pp. 199–218.
5. Vittorio Giacci, ‘Le regard évasif’, in Carlo Di Carlo (ed.), Michelangelo Antonioni, 1942/1965, L’Œuvre de Michelangelo Antonioni, vol. 1, 2nd edn (Rome: Ente Autonomo di Gestione per il Cinema, 1988), pp. 14–15 (p. 15).