1. Tim Carter, »In love’s harmonious consort«? Penelope and the Interpretation of Il ritorno d’Ulisse in patria, in: Cambridge Opera Journal 5, 1993, S. 1–16
2. Ellen Rosand, Opera in Seventeenth-Century Venice. The Creation of a Genre, Berkeley 1991;
3. dies., The Bow of Ulysses, in: Journal of Musicology 12, 1994, S. 376–395;
4. dies., Monteverdi’s Il ritorno d’Ulisse in patria and the Power of Music, in: Cambridge Opera Journal 7, 1995, S. 179–84
5. John Bokina, The Prince as Deity, Beast, and Tyrant. Monteverdi’s Orfeo, Ulisse, and Pop-pea, in: ders., Opera and Politics. From Monteverdi to Henze, New Haven 1997