Nachwort

Author:

Einwächter Sophie G.,Cuntz-Leng Vera

Publisher

Springer Fachmedien Wiesbaden

Reference30 articles.

1. Ang, I. (1985). Watching Dallas: Soap opera and the melodramatic imagination. London: Methuen.

2. Bodroghkozy, A. (2011). Teaching television history: The textbook. Cinema Journal, 50(4), 188–194.

3. Booth, P. (2015). Crowdfunding: A spimatic application of digital fandom. New Media & Society, 17(2), 149–166.

4. Booth, P. (2018). Fan euthanasia: A thin line between love and hate. In R. Williams (Hrsg.), Everybody hurts: Transitions, endings, and resurrections in fan cultures (S. 75–86). Iowa City: University of Lowa Press.

5. Brennan, J. (2018). „Is this what you call a breakup?“ The cancellation of Merlin, perceived producer disloyalty, and „television-as-lover“ fandom. In R. Williams (Hrsg.), Everybody hurts: Transitions, endings, and resurrections in fan cultures (S. 101–112). lowa City: University of lowa Press.

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Ordnen/Taggen;Handbuch Televisuelle Serialität;2023

2. Serialität und die Ästhetik des Endens;Handbuch Televisuelle Serialität;2023

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