40 Jahre Hiphop-Kommerzialisierung in den USA

Author:

Boulaghmal Ismail,Polfuß Jonas

Publisher

Springer Fachmedien Wiesbaden

Reference111 articles.

1. Akingbe, N., & Onanuga, P. A. (2020). „Voicing protest“: Performing cross-cultural revolt in Gambino’s „This is America“ and Falz’s „This is Nigeria“. Contemporary music review, 39(1), 6–36. https://doi.org/10.1080/07494467.2020.1753473.

2. Anderson, C., & Marshall, A. (2019). ASAP Rocky guilty of assault in Sweden but won’t face prison time (14.08.2019). The New York Times. https://www.nytimes.com/2019/08/14/arts/music/asap-rocky-sweden-guilty.html. Zugegriffen: 11. Aug. 2022.

3. Baksh-Mohammed, S., & Callison, C. (2014). „Listening to Maybach in my Maybach“: Evolution of product mention in music across the millennium’s first decade. Journal of promotion management, 20(1), 20–35. https://doi.org/10.1080/10496491.2013.829162.

4. Barnes, S. L. (2008). An analysis of black church usage. Review of religious research, 49(3), 319–338. https://doi.org/10.1177/2158244013490706.

5. Beacham, K. (2015). The most successful labels in Hiphop: A detailed analysis examining billboard rap chart data from 1989–2015 (08.10.2015). Medium. https://medium.com/cuepoint/analysis-of-the-most-successful-labels-in-Hiphop-chart-e264dddf996a. Zugegriffen: 11. Aug. 2022.

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