1. Almerbati, N. (2016). Hybrid Heritage: An Investigation into the Viability of 3D printed Mashrabiya window screens for Bahraini Dwellings. Dissertation, De Montford University, Faculty of Art, Design and Humanities.
2. Almerbati, N., Headley, D., Ford, P. und Taki, A. (2016). From Manual to Hybrid, Parametric Mashrabiya: Digital Workflow for the Re-envisioning and Conservation of Eastern Architectural Screens and the Engagement of Digital Tectonics. In L. I. L. Di Lucchio (Hrsg.), The International Journal of Architectonic, Spatial, and Environmental Design, Champaign. Illinois: Common Ground Publishing.
3. Belting, H. (2011). Florence and Baghdad: Renaissance Art and Arab Science, trans. Deborah Luce Schneider. Cambridge, Mass.: Belknap Press of Harvard University Press. (Belting, H. (2008). Florenz und Bagdad. Eine westöstliche Geschichte des Blicks. München: C. H. Beck).
4. Bryson, N. (1983). Early Vision and Painting: The Logic of the Gaze. New Haven and London: Yale University Press.
5. Bryson, N. (1988). The Gaze in the Expanded Field. In H. Foster (Hrsg.), Vision and Visuality. Discussions in Contemporary Culture #2. Seattle: Bay Press.