Diversity of experience: action, sensation, and immersion in audio descriptions of (visual) art

Author:

Soler Gallego SilviaORCID

Publisher

Springer Science and Business Media LLC

Subject

Computer Networks and Communications,Human-Computer Interaction,Information Systems,Software

Reference22 articles.

1. Eisner, E.W.: The arts and the creation of mind. Yale University Press, New Haven and London (2002)

2. Burnham, R., Kai-Kee, E.: Gallery teaching as guided interpretation. In: Burnham, R., Kai-Kee, E. (eds.) Teaching in the art museum, pp. 59–66. Interpretation as experience, J. Paul Getty Museum, Los Angeles (2011)

3. Neves, J.: Multi-sensory approaches to (audio) describing the visual arts. MonTi 4, 277–293 (2012)

4. Magalhães, C.M., Santiago Araújo, V.L.: “Metodologia para elaboração de audiodescrições para museus baseada na semiótica social e multimodalidade: Introdução teórica e prática” [A methodology for creating museum audio descriptions based on social semiotics and multimodality: Theoretical introduction and practice]. Rev. Latinoam. Estud. Discurso 12(1), 31–55 (2012)

5. Hutchinson, R.S., Eardley, A.F.: Museum audio description: the problem of textual fidelity. Perspectives 27(1), 42–57 (2019)

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