Differences Between Acting as if One Is Experiencing Pain and Acting as if One Is Pretending to Have Pain Among Actors at Three Expertise Levels

Author:

Ando Hanae,Koyasu Masuo

Publisher

Springer Japan

Reference12 articles.

1. Ando H (2002) Engeki no jukutatsuka: kyakuhon no yomitori kara engi-keikaku, engisuikou made. [The expertise of an actor: script reading, performance planning, and actual performance.] Jpn J Psychol 73:373–379

2. Ando H, Koyasu M (2004) Engeki keiken no umu ni yoru mikaku hyoujou no hyoushutsu narabini engi no sai. [Differences in facial expressions of tastes between actors and laypersons.] Cognit Studies 11:61–74

3. Bieri D, Reeve RA, Champion GD, Addicoat L, Ziegler JB (1990) The Faces Pain Scale for the self-assessment of the severity of pain experienced by children: development, initial validation, and preliminary investigation for ratio scale properties. Pain 41: 139–150

4. Brockbank P (1985) Introduction: Abstracts and brief chronicles. In: Brockbank P (ed) Players of Shakespeare: essays in Shakespeare an performance by twelve players with the Royal Shakespe are Company. Cambridge University Press, Cambridge, pp 1–10

5. Craig KD (1992) The facial expression of pain: better than a thousand words? Am Pain Soc J 1:153–162

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