Acting Oneself as Another: An Actor’s Empathy for her Character

Author:

Gallagher ShaunORCID,Gallagher Julia

Funder

Alexander von Humboldt-Stiftung

Australian Research Council

Publisher

Springer Science and Business Media LLC

Subject

Philosophy

Reference87 articles.

1. Benedetti J (1998) Stanislavski and the actor. Methuen Drama, London

2. Brecht B (1975a) A short organum for the theatre. In: Willett J (ed & trans.), Brecht on theatre: the development of an aesthetic. Methuen., London p 181, § 4

3. Brecht B (1975b) Alienation effects in chinese acting. In: Willett J (ed & trans.), Brecht on theatre: the development of an aesthetic. Methuen, London

4. Christensen W, Sutton J, McIlwain DJ (2016) Cognition in skilled action: meshed control and the varieties of skill experience. Mind Lang 31(1):37–66

5. Connolly R, Ralley R (2007) The laws of normal organic life or Stanislavski explained: towards a scientific account of the subconscious in Stanislavski’s system. Stud Theatre Perform 27(3):237–259

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