From Beethoven to Bowie: Identity Framing, Social Justice and the Sound of Law-Reference-Cited by-同舟云学术

From Beethoven to Bowie: Identity Framing, Social Justice and the Sound of Law

Published:2017-11-09 Issue:2 Volume:31 Page:301-324
ISSN:0952-8059
Container-title:International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique
language:en
Short-container-title:Int J Semiot Law

Author:

Shaw Julia J. A.

Publisher

Springer Science and Business Media LLC

Subject

Law,Language and Linguistics

Link

http://link.springer.com/article/10.1007/s11196-017-9533-x/fulltext.html

Reference45 articles.

1. Adorno, T.W. 1988. Introduction to the sociology of music, trans. E.B. Ashton. New York: Continuum.

2. Adorno, T.W. 1997. Aesthetic theory, trans. R. Hullot-Kentor, eds. G. Adorno and R. Tiedemann. New York: Continuum.

3. Adorno, T.W. 2002. On the social situation of music. In Essays on music, trans. S.H. Gillespie. Berkeley: University of California Press.

4. Attali, J. 1985. Noise: The political economy of music, trans. B. Massumi. Minneapolis, MN: University of Minnesota Press.

5. Avison, C. 2004. An essay on musical expression. In Charles Avison’s essay on musical expression: With related writings by William Hayes and Charles Avison, ed. P. Dubois. Aldershot, Surrey: Ashgate Publishing.

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