The Color Code of National Identity in Fyodor Dostoyevsky's Novel Crime and Punishment: Semiotic and Legal Analysis

Author:

Erokhina YuliaORCID

Publisher

Springer Science and Business Media LLC

Subject

Law,Language and Linguistics

Reference43 articles.

1. Bahtin, M. M. 2012. Sobranie sochinenij v 7 t. Moskva: YAzyki slavyanskih kul'tur T. 3. [Mikhail Bakhtin. 2012. Collected Works in Seven Volumes. Moscow: Slavic Languages and Cultures. Vol. 3]

2. Barsht, K. A. 2016. Risunki i kalligrafiya F. M. Dostoevskogo. Ot izobrazheniya k slovu. Bergamo: Lemma-Press. [Konstantin Barsht. 2016. Drawings and Calligraphy by Fyodor Dostoevsky. From Image to Word. Bergamo: Lemma-Press]

3. Bessonov, I. A. 2013. Belaya Arapiya: zagadochnaya strana iz fol'klornoj geografii. ZHivaya starina 3: 36−38. [Igor Bessonov. 2013. “The White Arapia: A Mysterious Land out of Folk Geography”. Living Antiquity 3: 36–38]

4. CHertov, L. F. 2014. Znakovaya prizma: stat'i po obshchej i prostranstvennoj semiotike. Moskva: YAzyki slavyanskoj kul'tury. [Leonid Chertov, 2014. Sign Prism: Articles on General and Spatial Semiotics. Moscow: Languages of Slavic Culture]

5. Conlon, B. 2014. Dostoevsky v. The Judicial Reforms of 1864: How and Why One of Nineteenth-Century Russia’s Greatest Writers Criticized the Nation’s Most Successful Reform. Russian Law Journal 2 (4): 7–62.

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