The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry

Author:

Russell Joanna,Singer Brian W.,Perry Justin J.,Bacon Anne

Publisher

Springer Science and Business Media LLC

Subject

Biochemistry,Analytical Chemistry

Reference44 articles.

1. Lomax SQ, Learner T (2006) A review of the classes, structures, and methods of analysis of synthetic organic pigments. J Am Inst Conserv 45:107–125

2. Berrie BH, Lomax SQ (1997) Azo pigments: their history, synthesis, properties and use in artists’ materials, in conservation research 1996/1997. National Gallery of Art, Washington, pp 9–33

3. Lomax SQ (2005) Phthalocyanine and quinacridone pigments: their history, properties and use. Rev Conserv 6:19–29

4. Lake S, Lomax SQ (2007) Arylide (Hansa) yellow pigments. In: Berrie BH (ed) Artists pigments: a handbook of their history and characteristics. Archetype Publications, Washington

5. Lomax SQ, Schilling MR, Learner T (2007) The identification of synthetic organic pigments by FTIR and DTMS. In: Learner T (ed) Modern paints uncovered. Getty Conservation Institute, Los Angeles, pp 105–117

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