Playing a play: online and live performing arts consumers profiles and the role of supply constraints

Author:

De la Vega Pablo,Suarez-Fernández Sara,Boto-García David,Prieto-Rodríguez Juan

Publisher

Springer Science and Business Media LLC

Subject

Economics, Econometrics and Finance (miscellaneous)

Reference73 articles.

1. Aly-Tovar, R., Bacache-Beauvallet, M., Bourreau, M, & Moreau, F. (2019). Why would artists favor free streaming? Journal of Cultural Economics. https://doi.org/10.1007/s10824-019-09358-z

2. Ateca-Amestoy, V. (2008). Determining heterogeneous behavior for theater attendance. Journal of Cultural Economics, 32, 127–151.

3. Ateca-Amestoy, V., & Castiglione, C. (2016). The consumption of cultural goods through the internet. How is it affected by the digital divide? ACEI Working Paper Series, no 04–2016. Association for Cultural Economics International.

4. Ateca-Amestoy, V., & Prieto-Rodríguez, J. (2013). Forecasting accuracy of behavioral models for participation in the arts. European Journal of Operational Research, 229, 124–131.

5. Bakhshi, H., & Throsby, D. (2010). Culture of innovation: An economic analysis of innovation in arts and cultural organizations. London: NESTA.

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