Estimating the Tonalness of Transpositional Type Pitch-Class Sets Using Learned Tonal Key Spaces

Author:

İzmirli Özgür

Publisher

Springer Berlin Heidelberg

Reference22 articles.

1. Rahn, J.: Basic Atonal Theory. Longman, New York (1980)

2. Temperley, D.: The Tonal Properties of Pitch-Class Sets: Tonal Implication, Tonal Ambiguity, and Tonalness. In: Hewlett, W.B., Selfridge-Field, E. (eds.) Computing in Musicology. Tonal Theory for the Digital Age, vol. 15, pp. 24–38 (2008)

3. Van Egmond, R., Butler, D.: Diatonic Connotations of Pitch-class Sets. Music Perception 15, 1–29 (1997)

4. Huron, D.: Interval-class Content in Equally Tempered Pitch-class Sets: Common Scales Exhibit Optimum Tonal Consonance. Music Perception 11, 289–305 (1994)

5. Brown, H.: The Interplay of Set Content and Temporal Context in a Functional Theory of Tonality Perception. Music Perception 5(3), 219–250 (1988)

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