Negotiation between social structure and personal feelings—An inquiry into the covert progressions in Ian McEwan’s Machines like me

Author:

ZHOU Mingying,WU Wangjiao

Funder

National Post-funded Project of Philosophy and Social Sciences of China

Publisher

Springer Science and Business Media LLC

Subject

Social Sciences (miscellaneous),Arts and Humanities (miscellaneous)

Reference38 articles.

1. Abbasiyannejad, M., & Talif, R. (2012). A hermeneutic approach to a socio-cultural study of Ian McEwan’s On Chesil Beach. International Journal of Applied Linguistics & English Literature, 1(3), 29–34.

2. Abbasiyannejad, M., & Talif, R. (2014). The exploration of political conflicts and personal relationships in Ian McEwan’s The Innocent. SAGE Open, 4.(1), 1–9. DOI: 10.1177/2158244014527987

3. Abbott, P. (2013). Review: Style and rhetoric of short narrative fiction: covert progressions behind overt plots by Dan Shen. Style, 47(4), 558–563.

4. Adams, T. (2019). Ian McEwan: “Who’s going to write the algorithm for the little while lie?” The Guardian, 14 April. https://www.theguardian.com/books/2019/apr/14/ian-mcewan-interview-machines-like-me-artificial-intelligence

5. Allen, C. J. (1979). Desire, design, and debris: The submerged narrative of John Haukes’s recent trilogy. Modern Fiction Studies, 25(4), 579–592.

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