Methodological Notes on Modelling Reconstructions After Literary Architecture

Abstract

AbstractThe manifold relationships between text and image are investigated by analysing attempts at a three-dimensional reconstruction of the Palace of Love and Venus described in Giovan Battista Marino’s Adonis. From text analysis and iconographical precedents to free-hand sketching and three-dimensional modelling, the article describes the progressive translation of some verses of the poem into a consistent system of drawings and models, which, besides revealing some hidden features of text, addresses the implicit limits of the ineffable quality of Marino’s literary space.