Generative Models for Relief Perspective Architectures

Author:

Baglioni LeonardoORCID,Fallavollita FedericoORCID

Abstract

AbstractThe present essay investigates the potential of generative representation applied to the study of relief perspective architectures realized in Italy between the sixteenth and seventeenth centuries. In arts, and architecture in particular, relief perspective is a three-dimensional structure able to create the illusion of great depths in small spaces. A method of investigation applied to the case study of the Avila Chapel in Santa Maria in Trastevere in Rome (Antonio Gherardi 1678) is proposed. The research methodology can be extended to other cases and is based on the use of a Relief Perspective Camera, which can create both a linear perspective and a relief perspective. Experimenting mechanically and automatically the perspective transformations from the affine space to the illusory space and vice versa has allowed us to see the case study in a different light.

Funder

Università degli Studi di Roma La Sapienza

Publisher

Springer Science and Business Media LLC

Subject

Visual Arts and Performing Arts,General Mathematics,Architecture

Reference19 articles.

1. Andersen, Kirsti. 2007. The Geometry of an Art. New York: Springer.

2. Arnheim, Rudolf. 1977. The Dynamics of Architectural Form. Berkeley: University of California Press.

3. Aschieri, Ferdinando. 1887. Geometria descrittiva. Milano: Ulrico Hoepli.

4. Baglioni, Leonardo and Riccardo Migliari. 2018. The mirror at the origin of perspective. Disegnare, idee immagini 56: 42-51.

5. Baglioni, Leonardo and Marta Salvatore. 2018. The Points of Concurrence Theory in Guidobaldo del Monte’s Scenography. Diségno. https://doi.org/10.26375/disegno.3.2018.6

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